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[021]Comparatio
Papers <1905862>
Vaudeville of Devils : The Strategy of the Devils in Demons
Papers <1905863>
Accepting Mortality in Kazuo lshiguro's Never Let Me Go : A Thin Line between Fantasy and Reality
Papers <1909543>
On the Late Professor Yukio Otsuka's Hikaku Bungaku Genron (Fundamental Theory of Comparative Literature) and Other Critical Studies
Papers <1909545>
The Evaluation of "Gerontion'' in T. S. Eliot's Poems (1920)
Papers <1909547>
Characteristics of Masaharu Anesaki's Religious Thought : With Special Reference to His Jinponshugi and Minponshugi
Papers <1905864>
Hysteria in Takeo Arishima's A Certain Woman : Rereading around the Destruction of Yoko
Papers <1909538>
Chinese Symbolist Poetics in the Early 20th Century and Japan
Papers <1909539>
The Meaning of Throwing Three Bottles in Kyusaku Yumeno's "Bottled Hell"
Papers <1909540>
Seicho Matsumoto's Early Detective Stories : from "Memories of Fire" to "Face"
Papers <1909542>