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[015]Comparatio表紙奥付等
Papers <24649>
Tôkoku's Penglai song and Bailetian's Song of Everlasting Sorrow and Noh play The Emperor
Papers <24635>
Kazuo lshiguro’s A Pale View of Hills and Yasunari Kawabata’s The Sound of the Mountain
Papers <24646>
Reception of Les Misérables through Japanese translations in late Qing and early Republic: Chen Jinghan's Ai Shi Zhi Yi Jie Yi Fan
Papers <24636>
Thoreau's Economy in the Nature of Walden : Focused on "Economy"
Papers <24647>
T. S. Eliot's Harmonious Way of Thinking in His Poems from 1924 to 1930
Papers <24648>
Sôseki and Mérimée : I am a cat and a scene of bathing in Carmen
Papers <24637>
Osamu Dazai and Chinese Classics(2) : comparison between Chikusei and Zhuqing in Liaozhai Zhiyi
Papers <24638>
On SAITÔ Mokichi's parting from expressions of Hakushû's style
Papers <24639>
On the Chinese Translation of Kumenosennin by ZHOU Zuo-ren
Papers <24640>
Changes of heroines' sense of value in Toshiko Tamura's stories : from the personal to the social
Papers <24641>
Maurice Ravel and the Modem Society : on his two piano concertos
Papers <24642>
Chinese reception of Yûzô Mizoguchi's image of modern China
Papers <24643>
Akira Kurosawa and William Shakespeare
Papers <24644>
Akira Kurosawa and Dostoevsky : The strategy of Kurosawa in cinematization of the novel idiot
Papers <24645>